German artist Sibylle Eimermacher (b. 1979) works with a series of replacements - replacements of materials, of logic or defined truths, of art historical determinations, of what we perceive and think of as obvious and indisputable. These fundamental and very subtle replacements also function as a bewilderment - a slight but nagging confusion that is spread towards us as perceivers.

So what is it she does, that can actually be felt as a bewilderment and as a catalyst for new perspectives? At first sight it is not easy to grasp exactly what is embedded in the layers of Sibylle Eimermacher’s work - prints of surfaces of stones - but the confusion is exactly what is fruitful and productive. With the next glance, we see that these beautiful and diverse stone surfaces are not only – surfaces. Upon these pale, pastel-coloured, deep-greyish, rough or smooth, softened or multi-layered, but in all cases finite and impenetrable rocks, is an extra layer of folds. As if the heavy rocks had been folded like a thin piece of paper and then unfolded again [...] - Inger Marie Hahn Møller